Artist: Thierry Noir
Title: Wenn ich so weiter mache werde ich übermorgen schon übermüde
Medium: Acrylic on Canvas
Size: 23 5/8 x 119 11/16 Inches (60 x 50 cm)
Year: 15.3.2011
Notes: Hand Signed, titled, dated 15.03.2011 and inscribed 28 on the overlap. Artwork is in Very Good Condition.Condition report Available upon request. Gallery COA Included.
About: Thierry Noir was born in 1958 in Lyon, France, and came to Berlin in January 1982. In April 1984, Noir began to paint the Berlin Wall and is credited as being the first artist to do so. Noir’s objective was to perform one real revolutionary act: To paint the Berlin wall, to transform it, to make it ridiculous, and to help destroy it pre-empting its ultimate fall in 1989. Noir covered the Berlin Wall, more than 3 metres high, with bright, vivid colors, aiming not to embellish the wall but to demystify it. Noir’s iconic, bright and seemingly innocent works painted on this deadly border symbolized a sole act of defiance and a lone voice of freedom.
Painting on the wall was absolutely forbidden; it was built 3 metres beyond the official border so the east-German soldiers were able to arrest any person standing near it. Noir had to paint as quickly as possible, using the recipe of ‘two ideas, three colors’ as a celebration of the ‘eternal youth’. Despite their bright colors and playful nature, the murals left a lingering sense of melancholy: As Noir says, “I did nothing but react to its sadness”.
Since the 1980s, Noir’s exploits and highly distinctive visual language have become world famous and immortalised in popular culture such as Wim Wenders’ 1987 film Wings of Desire and the cover of U2’s album Acthung Baby.
Noir’s practice has a strong emphasis on line and aims to simplify forms to their most basic elements. This simplicity reflected the necessity of painting quickly outdoors in a hazardous environment with very real risks to his personal safety. Noir reacted to his environment and his monsters are a metaphor for the Wall itself, each one relating to his experiences or feelings of what he calls a ‘killing machine’.